What I take on, what tools it runs through, and what you actually get at the end of it.
Identity systems, posters and social creatives, designed to hold up whether they're on a billboard or a phone screen.
Web and mobile interfaces, wireframed first so the structure is right before a single pixel is polished.
Reels, intros and product edits, cut to a beat — built for sound-off scrolling and full-volume launches alike.
Prompt-built footage and visuals using Sora, Veo and Gemini — finished, graded and timed by hand before delivery.
Every job — design or motion — runs through the same three stages, borrowed straight from how a film gets made.
Discovery call, references and moodboard. For motion work, this is also where the script or storyboard gets locked.
Layouts, screens or animation get built out in full — with a check-in round before anything is treated as final.
Color grading, sound and timing pass, then export in every format you'll actually need — print, web or reel.